在一座拜金主義的城市中,有一群人仍堅持活出「人活著不是單靠食物」的哲學,他們不是選擇隱居厭世,而是選擇透過藝術創作,積極入世、提昇心靈、影響別人。
數位水墨始創者黃琮瑜,他的創作手法不單打破普羅大眾認為國畫是老土陳舊玩意的概念,更讓觀眾從新的角度瞭解國畫。他將中西文化精髓揉合起來,作品三度入選香港藝術雙年展。
編舞家周佩韻,努力不懈創作不同的演出模式,打破舞蹈觀賞界限。她的編舞作品《界限.街道圖》,創造了一次互動經驗。這演出首次打破香港觀眾觀賞舞蹈的模式:觀眾不再是被動地欣賞演出,表演場地被改造成一個既規範又無限的環境。這種創新的互動觀賞經驗,連政府文化部門的官員也感驚訝,更創出本地舞蹈節目百分之百入座率的紀錄。她將觀眾消失了的熱情重生,亦使我們的年代重生。
Digital Artist Wong Chung Yu created digital i...
Kosim became rich after finding gold in the river in the village of Hirupbagja. He soon marries Sumi and lives a prosperous life as a landlord. When their child, Didi, was born, his soul was possessed by Albert Dominique's spirit, which was thirsty for blood and terrorized the villagers. Kosim tries to cover up this fact because he is currently running for the new Village Head. He must be able to beat Soleh, who has already won the sympathy of the villagers. But when the spirit threatens his family's life, Kosim decides to free Didi from the influence of Albert Dominique. To do this, Kosim must confront Dorman, a black sorcerer who wants to avenge his great-grandfather on the people who have destroyed his life.
A heartbroken man returns to the home he shared with his ex-boyfriend, where visceral memories force him to confront the fissures that led to their parting: when the 'casual threesome' they planned evolved into something more.