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祝你下辈子开心
大体修复师吴悠,独自照顾失智母亲,生活被贫困与沉重责任压得喘 不过气。某日,他在殡仪馆遇见一名无人认领的女童遗体,灵魂悄然 现身,要求他「带我回家」。在完成修复工作的过程中,吴悠与小女 孩展开一段幽微而疗愈的旅程,也逐渐逼视自己与母亲之间被压抑的 伤痛与未竟的爱。
迈克尔·杰克逊的旅程:由摩城到《墙外》
Catapulted by the success of his first major solo project, Off the Wall, Michael Jackson went from child star to King of Pop. This film explores the seminal album, with rare archival footage and interviews from those who were there and those whose lives its success and legacy impacted. World Premiere
德国之秋
1977年,一个商人被绑架后又被谋杀,杀他的是左翼的称为RAF的恐怖分子Armee Fraktion(红色帮派),他们绑架商人是为了试图以交换他们被抓的领导人。当诱拐的努力和一次劫持飞机相继努力失败后,RAF的3位非常杰出的领导人,安德烈亚斯巴德,古德兰·恩斯林和吉恩·卡尔泪谱,全部在监狱自杀。这3人实际上是被政府授命谋杀的。
坏孩子2016
At a remote Mojave Desert high school, extraordinary educators believe that empathy and life skills, more than academics, give at-risk students command of their own futures. This coming-of-age story watches education combat the crippling effects of poverty in the lives of these so-called &quotbad kids.&quot World   Sundance - Premiere
没有方向的家
本部纪录片用长达约4个小时的时间讲述了鲍勃·迪伦,这位美国民谣大师的传奇音乐生涯。鲍勃·迪伦,这位堪称美国六十年代反叛文化代言人的传奇歌手,他对音乐的理解和分析从他深刻寓意的歌词中可见一斑。影片聚焦鲍勃·迪伦在六十年代初期成为民谣英雄开始叙述,并穿插多段从未曝光的访问片段,首次真实地披露很多他鲜为人知的画面,记录下这位历久弥新的音乐大师从1961年到1966年间的的传奇历程。   由著名导演马丁·斯科塞斯执导的首部人物传记长片《没有家的方向》,荣获2006年第58届黄金时段艾美奖其他和技术类奖项-非剧情类节目最佳混音、其他和技术类奖项-非剧情类节目最佳导演提名、其他和技术类奖项-非剧情类节目最佳剪辑提名等多项大奖。
美国皮条客
探讨黑人街头皮条客的生活与工作、拉皮条的规矩与管理、与手下妓女的关系。
醇爱恋曲
著名酒庄的继承人与朴素踏实的儿时好友交换人生,只为证明自己的桃花运可不是只拜金钱所赐。
十二夜
九把刀首次監製的電影,与演员隋棠兼任出品人。   一個叫Raye的女新導演拍的一部推廣「以領養代替購買」的精神,去幫助處境可憐的流浪狗的影片。   之所以這支影片叫「十二夜」,是因為在台湾每一隻狗被捕捉進收容所後,法律保障這些狗狗有十二天的時間等待原主人找回、或被新主人領養,過了十二天,就會被安樂死。   很不幸,許多狗狗根本捱不過這十二天,因為在收容所裡極端殘酷的環境根本不允許。   本片記錄了許多狗狗被捕捉到收容所驚慌失措的那一刻,直到他們離開收容所的最後一刻……不管是以什麼樣的方式離開。   九把刀:「十二夜」影片救援計畫,希望你成為我們的天使! http://www.giddens.tw/blog/post/38756811-%E3%80%8C%E5%8D%81%E4%BA%8C%E5%A4%9C%E3%80%8D%E5%BD%B1%E7%89%87%E6%95%91%E6%8F%B4%E8%A8%88%E7%95%AB%EF%BC%8C%E5%B8%8C%E6%9C%9B%E4%BD%A0%E6%88%90%E7%82%BA%E6%88%91%E5%80%91%E7%9A%84
别回头1967
这部纪录片是对鲍勃迪伦1965年英国巡演的忠实记录,导演彭内贝克用影像清晰的说明那时的鲍勃迪伦与披头士是多么的不同。与同时期的《苦难日之夜》相比,《别回头》更直接,深刻,对自己的拍摄对象也没有造星般的刻意吹捧,甚至还毫不掩饰的可以嘲讽,但是,再冷静的镜头都无法掩盖年轻迪伦的灿烂光芒,同现在的老迪伦相比,年轻的他无与伦比的傲慢,机智,激情洋溢,而其中一段以垮掉派代表艾伦金斯堡为背景的开场更是弥足珍贵。
抑郁症和我
In an intensely personal and often surprising film for BBC Two, Depression And Me, Alastair Campbell explores if radical new treatments can stop his depression.   Campbell is best known for his role as Tony Blair’s formidable and often contentious spin doctor but, away from the public eye, he has been dogged by crippling bouts of depression for most of his life. Some days, just getting out of bed is too hard. Therapy and anti-depressant medication is helping him keep his head above water - but is that really the best he can hope for?   Alastair Campbell says: “I’ve been on antidepressants for years and years and none of them can stop it. I want to understand my depression and find out if modern science has any better ways of treating it. I’m hoping there’s something out there that can help me lead a happier life.   “I feel we are nearing a tipping point in the battle to demolish the stigma and taboo surrounding mental illness and TV is a very good medium for bringing these issues right out into the open. I have never regretted being open about my own issues but an important part of this film is also seeing my depression through the eyes of members of my family, especially my partner Fiona. I was also keen to get out there and find out what kind of progress was being made on the scientific and research front. There is a lot going on. My worry is that we are winning the battle for better awareness but losing the battle for the services we need.   &quotI was very pleased with the reaction to the film in Sheffield [at Doc/Fest]. One film alone cannot change the world but there is finally the focus on these issues that we need and hopefully one day we will have services to match.”
我是证据
An investigation into the way sexual assault cases are handled by police departments across the United States.
控制中心:阿波罗的无名英雄
At the heart of the Apollo program was the special team in Mission Control who put a man on the moon and helped create the future.
2026年中央广播电视总台春节联欢晚会
马年春晚以“欢乐吉祥、喜气洋洋”为主基调,深度践行“人民的春晚”创作理念,从新大众文艺的创新中吸纳创作养分,从开心、贴心、暖心、信心等多个角度持续打造“人民的春晚”。精心安排歌舞、戏曲、语言、魔术、创意融合等多类型节目,突出浓浓的年味,传递喜庆吉祥的色彩,赞美幸福的生活。
偷月娇藏
剧情简介暂缺,敬请期待
郡主要升咖
小助理桑夏被大明星燕楚庭各种折磨,意外进入正在拍摄的剧本里面,成为古代长都主,需在大婚前找出藏在五位候选者中的凶手,否则将会死亡,并且陷入剧情循环。她虽有现代思维,却要应对母后的催婚与二那主桑雅的嫉妒,还对与前男友长相一致的伴读燕楚庭充满试探与疑惑。过程中,桑夏被迫与慕寒付韵西等五位各怀心思的候选者周旋,一边化身黑莲花设法淘汰众人,一边与燕楚庭从猜忌到携手,揭穿慕寒罪行化解候选者陷害。然而,局势愈发复杂,付韵西被刘义首所杀,刘义首家族势力威胁皇权,母后竞非桑夏生母,还为亲生女儿桑雅谋权算位。最终,桑夏与燕楚庭在帝师萧禹的助力下,平息桑雅引发的战乱,二人回到现代。
掌上齐眉
孤女苏锦沅(孙艺燃 饰)错信奸人逃婚酿祸,归来惊见恩人萧家遭灭顶之灾。为赎罪孽,她与替兄迎亲的萧家养子谢云宴(邓孝慈 饰)命运交织,携手绝境求生,冲破世俗枷锁,手撕仇敌,书写逆天改命的血色炽恋。
风携桃花入君心
剧情简介暂缺,敬请期待
机器2016
To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
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